Översikt

  • Responsible Teachers: 

    Aurora Del Rio (aurora.delrio@aalto.fi)

    Eva Tordera Nuño (eva.torderanuno@aalto.fi)

    Date and Location:

    Monday 6.2.2023, 9:15-12:00 (Väre, M202)

    Monday 13.2.2023; 9:15-12:00 (Väre, Q201)

    Monday 27.2.-27.3.2023; 9:15-12:00 (Väre, Q101)

    The major-specific part of the Doing Research in Art and Media course consists of 7 sessions and will be held together for the students in ViCCA and in VCD.

    Link to MIRO board used in class on the first session: https://miro.com/app/board/uXjVPq3_YeU=/


    Learning outcomes

    The course sessions will introduce research methods and practices that are often used in artistic and design research projects. The lectures will serve as points of departure for student's reflections on procucing a plan for a research project.

    At the end of the course, students have the option to submit either a draft of their Master thesis to be further developed during the thesis seminar course, or a draft of an imaginary project planning, which will serve as a departure point for reflecting on a possible topic, and demonstrate the knowledge gained during the class. No further examination or essay is required.

    Additionally, students will engage in exercises and work on a research poster. 

    Assessment will be based upon:

    -Presence: 80% participation in the lectures, 6 lectures out of 7

    Graded 1-5:

    -Engagement and effort, active participationStudents need to complete the individual assignments (see individual assignments) before and during the class, take part in the discussions, ask questions, share their process

    -Submission of the learning diaries: Students need to write a learning diary after attending each session. In this weekly assignment, they should illustrate how they can apply what has been explained in the lecture in relation to their own research

    -Submission of literature review: Students need to choose 2 or 3 readings from the given list and write 300/400 words per paper. The writing will happen during the class, but the readings are a home assignment

    Second and third-year students have the option to work on the literature review on articles/books chosen for their thesis

    -Draft of the Project Plan: will be submitted at the end of the course. 

    The project plan should include: 

    - A title and a topic 
    - A short research statement (e.g., 1 paragraph)
    - One or two simple research questions that the project intends to answer
    - A list of relevant literature that the student has read or intends to read, explaining how it is related to the topic
    - A brief discussion of the methodology intended to use in the research (based on what is covered in the course)
    - (optional) A description of the artistic component (if this is part of the project)

    -Completion of the Research Poster

    (for those who have exceptional resistance to the poster assignment: you have now the option to write an essay. DL 3.04.2023 The requirements are in the assignment)


    Topic 1: foundations of research 

    1.1. (06.02) An overview of the concept of research as part of an MA thesis. Guest lecturer: Masood Masoodian

    Individual assignments: students start to focus on one possible research topic.

    1.2. (13.02) Research methods, In-depth focus. Guest lecturer: Luis Vega

    Individual assignments: students write a paragraph/statement on the research topic defined the week before

    Topic 2: applied research 

    2.1. (27.02) Introduction to the basics of practice-based/practice-led research. Guest lecturer: Arja Karhumaa

    Individual assignments: students will start to formulate 1–2 research questions

    2.2. (06.03) A presentation of one particular approach in applied research. Guest lecturer: Gregoire Rousseau

    Individual assignments: students will write a literature review on the first chosen article that they have read previously

    Topic 3: artistic research

    3.1. (13.03) An overview of the characteristics of artistic research. Guest lecturer: Julia Lohmann

    Individual assignments: group exercise

    3.2. (20.03) A presentation of one particular approach in artistic research. Guest lecturer: Tina Madsen


    3.3.
     (27.03) A presentation of one particular approach in artistic research. Guest lecturer: Mari Keski-Korsu

    The last session with all the DAM majors is planned as a poster exhibition. To prepare for this, during the 7th session of the major-specific group (ViCCA+VCD) there will be a feedback session. Prepare to work on the posters during the second half of the class.


    READINGS

    Artistic Research 

    Beloff, L. (2022). Investigating Stray-Concept and Ticks as a Co-Species. Research in Arts and Education, 2022(1), 34–43. https://doi.org/10.54916/rae.116987

    Biggs & Karlsson. (2011). The Routledge Companion to Research in the Arts. Routledge.

    Borgdoff, H. (2010). The Production of Knowledge in Artistic Research. In M. Biggs & H. Karlsson (Eds.), The Routledge Companion to Research in the Arts (pp. 44–63). Routledge.


    Butt. (2017). Artistic Research: Defining the Field. In Butt, 
    Artistic Research in the Future Academy (pp. 69–92). Intellect.

    Johnson, M. (2010). Embodied Knowing Through Art. In M. Biggs & H. Karlsson (Eds.), The Routledge Companion to Research in the Arts. Routledge.

    Kjœrup, S. (n.d.). Pleading for Plurality. In M. Biggs & H. Karlsson (Eds.), The Routledge Companion to Research in the Arts (pp. 24–43). Routledge.

    Nowotny, H. (2011). Foreword (pp. xvii-xxvi). In Biggs & Karlsson, The Routledge Companion to Research in the Arts. Routledge. 

    Practice-Based Research 

    Barbieri, D. (2010). Costume Re-Considered: From the scenographic model box, to the scenographic body, devising a practice based design methodology that re-focuses performance onto costume. Endyesthai (to Dress): Historical, Sociological and Methodological Approaches.

    Candy, L. & Edmonds, E. (2011). The Role of the Artefact and Frameworks for Practice-Based Research (pp. 120–137). In M. Biggs & H. Karlsson (Eds.), The Routledge Companion to Research in the Arts. Routledge.

    Design, A. U., Department of & Vega, L. (2021). Distributed thinking through making: Towards a relational ontology in practice-led design research.
    Nordes 2021: Matters of Scale. https://doi.org/10.21606/nordes.2021.29

    Karhumaa, A. (2019). Thinking with Ungenesis: The Situated Knowledge of a Text Designer. IMAGE AND NARRATIVE, 20(02), 20–34. http://www.imageandnarrative.be/index.php/imagenarrative/article/view/2124

    Lohmann, J. (2018). PhD Appendix Print Einzelseiten.

    Research Questions

    Flick, U. (2010). Research Questions. In U. Flick,
    An Introduction to Qualitative Research (4th ed., pp. 97–104). SAGE.

    Laing, K. (2015). Constructing research questions: doing interesting research. 
    International Journal of Research & Method in Education, 38(2), 219–220. https://doi.org/10.1080/1743727x.2015.1005803

    Methods and Methodologies

    Frayling. (1993). Research in Art and Design. Royal College of Art Research Papers.

    Krogh, Peter & Krogh, Peter & Markussen, Thomas & Bang, Anne. (2015).
    Ways of Drifting – 5 Methods of Experimentation in Research through Design. 34. https://doi.org/10.1007/978-81-322-2232-3

    Leavy, P. (2017). Research Design: Quantitative, Qualitative, Mixed Methods, Arts-Based, and Community-Based Participatory Research Approaches. The Guilford Press.

    Margolis, E. & Pauwels, L. (Eds.). (2011). The SAGE Handbook of Visual Research Methods. SAGE.

    Muratovski, G. (2016). Applied Research. In Research for Designers: A Guide to Methods and Practice. SAGE.

    Mäkelä, M. (2015). Personal exploration: Serendipity and intentionality as altering positions in a creative process.
    Form Akademisk - Forskningstidsskrift for Design Og Designdidaktikk, 9(1). https://doi.org/10.7577/formakademisk.1461

    Pauwels, L., & Mannay, D.  (Eds.). (2020, 2nd Edition). 
    The SAGE Handbook of Visual Research Methods. SAGE


    Rose, G.  (2016, 4th Edition). 
    Visual Methodologies: An Introduction to the Interpretation of Visual Materials.

    Tanaka, S. (2013). The Notion of Embodied Knowledge and its Range. XVII(37), 47–66. https://doi.org/10.4442/ency_37_13_03

    Tuin, R. D. & I. van der & Tuin, I. van der. (2012). Chapter 3: Interview with Karen Barad. In New Materialism: Interviews & Cartographies (pp. 48–70). Open Humanities Press. https://doi.org/http://hdl.handle.net/2027/spo.11515701.0001.001

    Wagner, J. (2020). Seeing Things: Visual Research and Material Culture. In The SAGE Handbook of Visual Research Methods (pp. 76–95).SAGE. https://doi.org/10.4135/9781526417015

    Literature Review

    Kaminstein, D. (2017). Writing A Literature Review For An Applied Master's Degree. Organizational Dynamics Working Papers, 23. https://repository.upenn.edu/od_working_papers/23 

    Objectivity and philosophy of science 

    Risjord, M. (2014). Philosophy of Social Science. A Contemporary Introduction. Routledge

    Brown, M.J. (2019). Is Science Really Value Free and Objective? In: From Objectivity to Scientific Integrity. Routledge




    • Forum icon
      Announcements - Forum
    • Inlämningsuppgift icon
      Draft of the Project Plan Inlämningsuppgift

      To be submitted at the end of the course. It can be your research plan, or an imaginary project plan

      The plan should include: 

      - A title and the topic
      - A short research statement (e.g., 1 paragraph): what is the intention of the project? 
      - One or two simple research questions that the project intends to answer
      - A list of relevant literature that the student has read or intends to read, explaining how it is related to the topic
      - A brief discussion of the methodology intended to use in the project research (based on what is covered in the course)
      - (optional) A description of the artistic component (if this is to be included)

      The previous assignments (with the exception of the literature review) can be used to work on this assignment: if you are satisfied with the already submitted research statement and research question, feel free to use them. If not, you can use them as a departing point for this assignment and further work on them.

      Be aware that this is considered a draft, and not a finished plan

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      Alternative to the poster assignment Inlämningsuppgift
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      Extra assignment If you have missed more than one class (of our 7 sessions together) Inlämningsuppgift
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