Topic outline

  • A 'Recycling Lab' from the Global South: Woman cooking circuit boards in a makeshift kitchen


    SUMMARY: This Masters of Arts-level course is a response to the contemporary discourse of political economy of media and related environmental implications. It tackles the Anthropocene through the lens of media theory, culture and philosophy to understand the geological underpinnings of contemporary media. What are the planetary impacts of technological media? What are the various focuses, entanglements and materialities? The course investigates the topics of extraction, thermal practices, fabrication, labor, and waste as related to cultures of media. Finally, the course examines artistic approaches and methodologies that engage with these materialities, geographies and geologies. This course is a follow-up from the Archaeology of Media Infrastructures from Spring 2019, and consists of close readings of provided literature, class discussions and critical writings.

    SYLLABUS: coming soon.

    COURSE WEBSITE: https://blogs.aalto.fi/mediainfrastructures/

    BIBLIOGRAPHY

    1. Jussi Parikka, The Anthrobscene, Minneapolis: University of Minnesota Press, 2015.
    2. Nicole Starosielski, “Thermocultures of Geological Media,” Cultural Politics, Vol. 12 (3), Duke University Press, 2016: 293-309.
    3. Sean Cubitt, “Ecologies of Fabrication,” in Sustainable Media: Critical Approaches to Media and Environment, eds. Nicole Starosielski and Janet Walker, New York and London, Routledge, 2016: 163-179.
    4. Sy Taffel, “Technofossils of the Anthropocene: Media, Geology and Plastics,” Cultural Politics, Vol. 12 (3), Duke University Press, 2016: 355-375.
    5. Jennifer Gabrys, “Re-thingifying the Internet of Things,” Sustainable Media: Critical Approaches to Media and Environment, eds. Nicole Starosielski and Janet Walker, New York and London, Routledge, 2016: 180 – 195.
    6. Garnet Hertz and Jussi Parikka, “Zombie Media: Circuit Bending Media Archaeology into an Art Method,” Leonardo, Vol. 45, No. 5, 2012: 424–430.
    7. Samir Bhowmik and Jussi Parikka, “Infrascapes for Media Archaeographers,” Archaeographies: Aspects of Radical Media Archaeology, eds. Moritz Hiller and Stefan Höltgen, Berlin: Schwabe Verlage, 2019: 183-194.
    8. Revital Cohen and Tuur Van Balen, “Take a Good Lamp,” Cultural Politics, Vol. 12 (3), Duke University Press, 2016: 332-338.
    9. Unknown Fields, “Rare Earthenware,” Cultural Politics, Vol. 12 (3), Duke University Press, 2016: 376-379.

    • Currently, all lectures will be held remote via Zoom until further notice. If Aalto University recommends contact teaching in the future, we will arrange the classes in the Aalto ARTS premises. The final exhibition of student artworks will happen in one of the gallery spaces in the Väre building.

      Please download and install Zoom before the course begins.
      Aalto Zoom Guide: https://www.aalto.fi/en/services/zoom-quick-guide