Please note! Course description is confirmed for two academic years, which means that in general, e.g. Learning outcomes, assessment methods and key content stays unchanged. However, via course syllabus, it is possible to specify or change the course execution in each realization of the course, such as how the contact sessions are organized, assessment methods weighted or materials used.
LEARNING OUTCOMES
In the Genre course student will learn different aspects of the documentary mode, ranging from a particular approach to documentary filmmaking, the in-depth study of a documentary author, a theoretical concept as explored in documentary, a particular historical period of documentary film history, etc. Depending on the subject of the course students will learn creative filmmaking techniques, gain historical perspective or analytical/theoretical tools to expand their knowledge of documentary film.
Credits: 2
Schedule: 03.05.2021 - 07.05.2021
Teacher in charge (valid 01.08.2020-31.07.2022): Arturo Delgado Pereira
Teacher in charge (applies in this implementation): Arturo Delgado Pereira
Contact information for the course (valid 26.04.2021-21.12.2112):
ELO-E1536 - Genre Workshop
THINKING ABOUT TIME IN CINEMA:
HISTORY, MEMORY AND THE NOW.
With Kanerva Cederström
Major in Documentary Film.
2020/2021
Department of Film, Television and Scenography
ELO, Aalto University
Dates: 03.05-07.05.2021
Time: 10am-5pm.
Room: See schedule below.
Responsible teachers: Kanerva Cederström/Arturo Delgado Pereira
Teaching Language: FINNISH.
Credits: 2cr
E-mail: kane@kaapeli.fi / arturo.delgado@aalto.fi
CEFR level (applies in this implementation):
Language of instruction and studies (valid 01.08.2020-31.07.2022):
Teaching language: English
Languages of study attainment: English
CONTENT, ASSESSMENT AND WORKLOAD
Content
Valid 01.08.2020-31.07.2022:
This course features varying contents. The course will explore particular approaches to the documentary mode such as autobiographical documentary, observational documentary, essay film, participatory approaches, performative documentary, etc. The course can also study a documentary author in-depth, focus on a particular historical period, or explore a theoretical concept as applied in documentary. Occasionally, this course might take the form of a workshop in which students will carry out a film exercise.
Applies in this implementation:
DESCRIPTION OF THE COURSE by Kanerva Cederström.
During the course we will discuss the different approaches to Time mainly in documentary and experimental cinema. The specific focus is on how different auteurs have treated History and Memory as subjects and how their films are related to the present time.
The course will include lectures, screenings, discussions and short essays. Articles to read are sent before the course.
Assessment Methods and Criteria
Valid 01.08.2020-31.07.2022:
Lectures, film screenings and discussions. Completing the course require students’ active participation and the completion of a written assignment or oral presentation. Depending on content, the course might occasionally take the form of a workshop in which completion of a film exercise will be required.
Applies in this implementation:
PRE-ASSIGNMENT.
Please read the two texts found in the material section, under pre-assignment. Both texts due to the first day of the course (Monday 3 May)
ASSIGNMENT.
Students will have to attend classes and write an essay to gain the credits for the course. The subject for the essay is: How is Time represented in one of the films of the course?
The essays will be presented on Friday. More information on the first day of the course.
Workload
Valid 01.08.2020-31.07.2022:
For each week of course:
Lectures: 16-27h
Workshops/Independent study: 27-38hApplies in this implementation:
SCHEDULE.
All classes start at 10 am and finish at 5pm.
LOCATION: ODEION. EVERY DAY EXCEPT FROM WEDNESDAY.
WEDNESDAY 5 MAY: ROOM F005/Q101 (VÄRE)
Monday 3 May. ODEION: How and why to think about time in film?
Dawson City: Frozen Time (Bill Morrison, 2016)
https://mubi.com/es/films/dawson-city-frozen-time
Text on Bill Morrison Dawson City https://www.artforum.com/film/tony-pipolo-on-bill-morrison-s-dawson-city-frozen-time-68883
The Image Book (Jean-Luc Godard, 2018)
Text on Godard Image Book http://mubi.com/notebook/posts/jean-luc-godard-2018-words-like-ants
Blue (Apithatpong Weerasethakul, 2018)
https://www.youtube.com/watch?v=8Hk4zepxyoE
24 Frames (Abbas Kiarostami, 2017)
Text on Kiarostami 24 frames https://www.filmcomment.com/blog/24-frames/
Tuesday 4 May. ODEION: The time and memory of Totalitarism.
History of Gulag Areena 2nd part Areena
The Missing Picture (Rithy Panh, 2014)
https://ucsc.kanopy.com/video/missing-picture (ARTURO)
Dead Nation (Radu Jude, 2017) KANERVA
Text on Radu Jude The Dead Nation
https://hamptonsfilmfest.org/features/qa-radu-jude-the-dead-nation/
Though I Am Gone (Hu Jie, 2006)
Wednesday 5 May. F005/Q101 (VÄRE): Time of forgotten people.
Oh! Uomo (Yervant Gianikian, Angela Ricci Lucchi, 2004)
Text: Archeology of the Future or the Splendor of Moral Realism: The Cinema of Yervant Gianikian and Angela Ricci Lucchi (on Material Folder of MyCourses)
Seasons (Artavazd Pelechian, 1975)
Text on Pelechian https://www.closeupfilmcentre.com/vertigo_magazine/volume-2-issue-8-spring-summer-2005/on-earth-as-it-is-in-the-heavens/
Vittorio de Seta short films YouTube
Plus https://www.film-foundation.org/de-seta-nyrb
Thursday 6 May. ODEION: The time of the present and memory.
D’Est (Chantal Akerman, 1993)
https://vimeo.com/ondemand/fromtheeast
VoD Vimeo
Text Chantal Akerman From the East https://www.sensesofcinema.com/2013/cteq/dest-spectres-of-communism/
Horse Money (Pedro Costa, 2014)
https://mubi.com/es/films/horse-money
Text Pedro Costa https://www.filmcomment.com/blog/film-of-the-week-horse-money/
Jacques Perconte the vanishing Now Digital tableaux’s
Presentation Jacques Perconte http://www.jacquesperconte.com/jacques.php?l=en
Discussion on the films, their thematics and the texts.
Friday 7 May. ODEION: Film as material of memory in making.
Peter Forgàcs : Home movies Hungarian Jews
http://forgacspeter.hu/english/films
Text Peter Forgàcs http://www.rouge.com.au/12/forgacs.html
Excerpts of Tove Jansson home movie films
Two Uncles (Kanerva Cederström, 1991) KC
Presentation of the short essays of the students.
DISCUSSION
DETAILS
Study Material
Valid 01.08.2020-31.07.2022:
Study material changes according to course content.
- Teacher: Delgado Pereira Arturo