LEARNING OUTCOMES
- Understanding of digital fabrication methods and their potential in Art and design practice. (understanding technology)
-hand on experience with digital fabrication machines (learning by doing)
-understanding of new material and exploring the potential (experimentation)
-the business potential of adopting new digital technologies in creative practice.(new business models)
Credits: 3
Schedule: 01.03.2022 - 05.04.2022
Teacher in charge (valid for whole curriculum period):
Teacher in charge (applies in this implementation): Tim Smith, Paulo Nicoletti Dziobczenski, Jason Selvarajan
Contact information for the course (applies in this implementation):
My e-mail
Jason.selvarajan@aalto.fi
Telegram group
https://t.me/+UI3Id7mAcSNjOWM8
CEFR level (valid for whole curriculum period):
Language of instruction and studies (applies in this implementation):
Teaching language: English. Languages of study attainment: English
CONTENT, ASSESSMENT AND WORKLOAD
Content
valid for whole curriculum period:
The content of the course will involve looking at an Art & design practice and how adopting digital fabrication technologies and working with materials in new ways can create new business opportunities and potentials. We will case study the practices of Artist such as Tomas Saraceno, Olafur Elisson and Anish Kapoor and how their adoption of new materials and technologies have helped them realise their visions. In certain instances, this created completely new methods of production and creation of new materials as a well unique way of using of material has led to new discoveries.As a creative practice grows in size, adoption of technology in the production is imminent, the question is can the technology become an active driver for the practice or remains as just another tool .
Assessment Methods and Criteria
valid for whole curriculum period:
- We will use the method learning by doing , so we will be making prototypes constantly. Depending on the material student will use different workshops. There will be 3 lectures .
- Assessment will be based on the student participation and Attendance is compulsory. Final grades will be based on 50% attendance and ongoing studio work and 50% on the final work produced (which would be presentation)
- Course is mainly project work so no examination will be held. (study method: lectures and project work)
Workload
valid for whole curriculum period:
Workshops, lectures and tutorials ( contact teaching) = 24h
Assignments and group work = 57h
Total amount of hours = 81h / 3ECT
DETAILS
Study Material
valid for whole curriculum period:
- Performative materials in architecture and design- Rashida NG, Sneha Patel
- Manufacturing material effects: Rethinking design and making in architecture- Branko Kolarevic, Kevin Klinger
- Making: Anthropology, Archaeology, Art and Architecture : Tim Ingold
Substitutes for Courses
valid for whole curriculum period:
Prerequisites
valid for whole curriculum period:
SDG: Sustainable Development Goals
9 Industry, Innovation and Infrastructure
17 Partnerships for the Goals
FURTHER INFORMATION
Further Information
valid for whole curriculum period:
UWAS course selection criteria: Registration order is not the primary selection criteria for this course. In order to ensure that students from different programs and schools of Aalto University may take UWAS courses, the selection is also based on the variety of students' disciplines. Master's students are also welcome.
The course is based on Ashish's experience of working as a technology and material consultant to the artistic practice of Tomas Saraceno.
Minimum amount of students: 7
Teaching Period:
2020-2021 Spring IV
2021-2022 Spring IV
Course Homepage: https://mycourses.aalto.fi/course/search.php?search=UWAS-C0050
Registration for Courses: Sisu replaces Oodi on 9 August, 2021. Priority order to courses is according to the order of priority decided by the Academic committee for School of Arts, Design and Architecture: https://www.aalto.fi/en/services/registering-to-courses-and-the-order-of-priority-in-aalto-arts
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