Enrolment options

Please note! Course description is confirmed for two academic years, which means that in general, e.g. Learning outcomes, assessment methods and key content stays unchanged. However, via course syllabus, it is possible to specify or change the course execution in each realization of the course, such as how the contact sessions are organized, assessment methods weighted or materials used.

LEARNING OUTCOMES

This course deepens and broadens students’ knowledge and conceptual understanding of a specific  film genre. The course may also function as a theoretical basis for starting MA thesis work.

Conceptual skills

  • students understand the concept of genre in filmmaking, and core features and narrative functions of the genre
  • students gains deeper theoretical knowledge on a specific film genre
  • students are able to critically analyze (in their professional role) artistic means to construct genre in filmmaking

Artistic expression and collaborative skills

  • students understand genre as a shared creative instrument for collaborative world-building
  • students identify the diverse means of using genre in cinematic narration e.g. genre-bending, hybrid genre
  • students are able to critically apply their genre knowledge to renewing genre by their artistic interpretation

Credits: 3

Schedule: 21.10.2024 - 01.11.2024

Teacher in charge (valid for whole curriculum period):

Teacher in charge (applies in this implementation): Hanna Maylett, Susanna Suurla

Contact information for the course (applies in this implementation):

CEFR level (valid for whole curriculum period):

Language of instruction and studies (applies in this implementation):

Teaching language: English. Languages of study attainment: Finnish, Swedish, English

CONTENT, ASSESSMENT AND WORKLOAD

Content
  • valid for whole curriculum period:

    The 2024 genre workshop course focuses on period drama genre. The course consists of theoretical exploration of the genre and conceptual framework on a chosen text.

Assessment Methods and Criteria
  • valid for whole curriculum period:

    Active and regular participation to group working and lectures, accomplishment of given tasks and group reflection, self-reflection about the learning process during the workshop.

Workload
  • valid for whole curriculum period:

    The course (3 cr)  consists of multiple teaching methods e.g. activating lectures, group discussions, presentations, writing assignments, method analysis, peer learning, screenings, independent and group work. It requires attendance in contact sessions including group and independent work.

    Contact teaching 30 h

    Independent or group work 40 h

    Time to think 11 h

    Registration for courses is confirmed by attending the first class of the course. Students who drop out of the course without good reason will fail the course. At least 80% participation in face-to-face teaching is mandatory to complete the course. If, due to absences, the student does not achieve the learning outcomes defined in the course description, the remaining 20% may have to be compensated as determined by the responsible teachers of
    the course. All absences must be reported to the teachers in charge. The responsible teachers of the course will specify the necessary compensating assignments

DETAILS

Study Material
  • valid for whole curriculum period:

    Will be announced in syllabus

Substitutes for Courses
Prerequisites
SDG: Sustainable Development Goals

    8 Decent Work and Economic Growth

    9 Industry, Innovation and Infrastructure

    12 Responsible Production and Consumption

    17 Partnerships for the Goals

FURTHER INFORMATION

Further Information
  • valid for whole curriculum period:

    Teaching Language: English

    Teaching Period: 2024-2025 Autumn II
    2025-2026 No teaching

    Registration:

    The course is intended exclusively for MA students, majors of Film and TV department or equivalent knowledge and skills (or on a separate application in connection with Sisu registration at discretion)

    1. priority MA directing students (maximum 6)
    2. priority MA costume design students (maximum 6)
    3. other ELO MA major students
    4. ELO doctoral students

    Minimum number of participants 4. Maximum number of participants 16.

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